|Jane Howard in her studio|
We visited quite a few studios some of which were in old homes built in the late 1700s and mid-1800s. Low beamed ceilings and wide planked floors complemented the timeless art on view. Others had bright, light-filled studios with cans and cans of brushes and paint stained easels. Having just bought a wide, flat blending brush, I know the obsession for good working tools.